Cultural Entrepreneurs Create Social Change

Cultural entrepreneurs – along with all entrepreneurs – drive social change.  This is not news to most of us.  However, most descriptions of how entrepreneurs create social change stop short of saying more than, “They create new jobs and innovative products.”

3D_hierEntrepreneurs do create jobs and innovative products.  But they do more than this. Entrepreneurs shift the flow of resources, determine the direction of knowledge development, and reorganize social networks.

How do I know this? Because last year I completed my doctoral dissertation, based on 36 interviews with social and cultural entrepreneurs, from across the nation.  Over the next several weeks I will be posting excerpts from my dissertation, I hope these excerpts will inspire a greater curiosity about the role of entrepreneurs as social change agents.

Several months ago, while waiting at a red traffic light, I sat behind a beat-up old Subaru station wagon that, typical to cars driven by aging hippies in Santa Fe, hosted myriad political bumper stickers.  Among the many that reviled our former President (“Defoliate the Bushes”, “Bush is a Liar”), was one that espoused a more hopeful worldview:

“Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has” ~ Margaret Mead.

Ms. Mead, widely considered a leading cultural anthropologist of the 20th century, and highly regarded for her work in encouraging humankind to choose among its possible futures, believed that “cultural patterns of racism, warfare, and environmental exploitation were learned”.  Moreover, she believes that members of societies can work together to create new social structures, new social paradigms, in effect, to create social change.

As I sat behind that wagon I pondered the fact that from small groups of people meaningful social change has emerged.  Often relatively under-resourced and without apparent political power or social consequence, these groups pursue making their vision a reality and somehow make social change happen in our complex society.  “Social change” is popularly defined and understood to be the shifts in social structures, relations, and institutions, which result from social movements or radical events.  The academic literature defines social change similarly and Coleman writes of social change occurring as “social reality changes, through the invention of new forms of organization and the development of new processes.”  Notably, the altered social structure and relations that have resulted from innovative ideas ranging from America’s foundling democracy to women’s rights to the conservation movement have consistently been instigated by small groups of committed people.

Of course, these small groups are not isolated and entirely without resources; they operate in a web of relationships. They are networked.  And they are founded and led by intrepid entrepreneurs, individuals who pursue these opportunities to create change despite a lack of resources.  Instead of pursuing financial gain, these social entrepreneurs pursue social change.  These social entrepreneurs, while aiming for different outcomes than for-profit entrepreneurs, can be defined similarly to leaders of foundling for-profit ventures who similarly control few resources and strive to achieve outcomes despite this resource paucity (Byers, 2010; Shaw & Carter, 2007).

I wondered if they achieve their outcomes through communicating with established organizations and individuals who share their values and goals.  I wondered if instigators of start-up social change organizations intentionally use their social networks as complements to the resources they control.  Do they value networks, do they intentionally exchange and aggregate resources through networking?  Do they build their credibility and visibility, pursue financial resources, and discover new knowledge or opportunities in their field through social networking activities?  Do they plan for, aim for, and pursue outcomes through networking activities?  I scribbled down a question that had begun to form in my mind: “How do social change entrepreneurs perceive and utilize their social networks to achieve goals?”

The car behind me honked.  The light had turned green.

(Come back next week for the next installment…)

Northern New Mexico’s Cultural Corridor

ABOVE: Attendees at the Cultural Corridor Planning Meeting

In February GCCE gathered leaders of Santa Fe, Taos, and Albuquerque to plan implementation of the Northern New Mexico Cultural Corridor.

Tourism is a critical economic driver for states. In New Mexico, tourism-related spending annually contributes $5.5B to the economy, including $770million in tax receipts.  Yet, our market share in the regional and national markets continues to fall.  GCCE is leading an effort to work collaboratively to build a vibrant regional brand that will penetrate this competitive marketplace, bring more travelers to our region, and strengthen the businesses and communities of northern New Mexico.

For more on our Cultural Corridor strategy, visit our website.

25 Places to Get Cultural and Creative Entrepreneurship Training

  1. Arc Centre of Excellence for Creative Industries and Innovation
  2. Arts Enterprise: Art as Business as Art, UW-Madison Arts Institute
  3. Arts, Entertainment and Media Management, Columbia College Chicago
  4. Austin Conservatory of Professional Arts
  5. Centre for Cultural Research, University of Western Sydney
  6. Creative and Cultural Skills
  7. Creative Enterprise Network
  8. Creative Enterprise Project, British Council/Strathmore University
  9. Cultural Enterprise Office
  10. Cultural Leadership Programme
  11. Enterprise Centre for the Creative Arts
  12. First Cultural Entrepreneurship Institute at Cooperstown
  13. Global Center for Cultural Entrepreneurship Fellowship Program Continue reading

Feeding the minds of cultural entrepreneurs

As I make my way into the Ancient Way Café for lunch, I wonder if I can skip lunch and go straight to dessert as I see a listing of their homemade all organic pies.  But I’m good, I eat my lunch first and enjoy dessert with the general manager and head chef, Maqui.  I learn that Maqui was a potter for years but fell into an opportunity at the Café as he says, “I have become an artist of food and now I get to create edible glazes!”  As a long-time resident of the area and a past board member of the El Morro Area Arts Council, he understands the challenges that both the artists and community face.

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The Old School Gallery, bridging social and cultural entrepreneurship

It’s easy to drive right by the businesses of El Morro Valley, but you can’t miss The Old School Gallery, with its brightly colored exterior.  Several artists within the El Morro Area Arts Council established the gallery 11 years ago to find a place for local artists to display their art.  The building itself was built in 1947 and served as a one-room schoolhouse for many years.  Today, the space is used for a gallery and so much more.  Attracting people from as far as the Acoma and Laguna Pueblos the space is used for art workshops, community meetings, yoga and tai chi classes, musical performances, and youth programs.  The gallery has one staff member and the rest is volunteer-driven.  It represents artists from approximately a 50-mile radius and displays new art shows quarterly.

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Building cultural entrepreneurship in rural communities

As I continue to venture around New Mexico taking in the sights, food and culture, I head southwest of Grants down the Ancient Way Arts Trail towards the El Morro Valley.  Along the way I pass the El Malpais National Monument and the Ice Caves, go up and over the continental divide, and arrive in El Morro.  Once here, I find the brightly painted Old School Gallery and a feed store on one side of the road and the Inscription Rock Trading and Coffee Co., the Ancient Way Café and a campground on the other side.   And practically in their backyard is the El Morro National Monument.

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The Double 6 Gallery: Supporting local artists and community

Grants, New Mexico is located on the Historic Route 66 – a highway known to many for its rich culture and history.  The Double 6 Gallery, appropriately named for its location, brings you back in time with its facade of a 40’s style theater.

The Double 6 and the adjoining Cibola Art & Artifacts Museum are both part of the Cibola Arts Council which is dedicated to providing the citizens it represents, especially youth, with experiences in the arts by providing an educational resource, promoting area artists and celebrating our region’s rich cultural diversity.  In their recent newsletter they say, “The arts promote tourism, are basic to education, are fundamental to a robust economy, and art is cost effective!”

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