About Alice Loy

In 2007 I helped found the Global Center for Cultural Entrepreneurship so I could combine my passion for creating thriving cultural communities, addressing economic challenges, and building successful enterprises. I love working with cultural entrepreneurs – they are bold, resourceful, and bring innovation into our lives. Living in Santa Fe allows me to soak up culture and engage with cultural enterprises at every turn…Santa Fe is ground zero for cultural entrepreneurship thought leadership, policy development and markets. Cultural entrepreneurs can reach me at Alice@culturalentrepreneur.org

Cultural Entrepreneurs Create Social Change

Cultural entrepreneurs – along with all entrepreneurs – drive social change.  This is not news to most of us.  However, most descriptions of how entrepreneurs create social change stop short of saying more than, “They create new jobs and innovative products.”

3D_hierEntrepreneurs do create jobs and innovative products.  But they do more than this. Entrepreneurs shift the flow of resources, determine the direction of knowledge development, and reorganize social networks.

How do I know this? Because last year I completed my doctoral dissertation, based on 36 interviews with social and cultural entrepreneurs, from across the nation.  Over the next several weeks I will be posting excerpts from my dissertation, I hope these excerpts will inspire a greater curiosity about the role of entrepreneurs as social change agents.

Several months ago, while waiting at a red traffic light, I sat behind a beat-up old Subaru station wagon that, typical to cars driven by aging hippies in Santa Fe, hosted myriad political bumper stickers.  Among the many that reviled our former President (“Defoliate the Bushes”, “Bush is a Liar”), was one that espoused a more hopeful worldview:

“Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has” ~ Margaret Mead.

Ms. Mead, widely considered a leading cultural anthropologist of the 20th century, and highly regarded for her work in encouraging humankind to choose among its possible futures, believed that “cultural patterns of racism, warfare, and environmental exploitation were learned”.  Moreover, she believes that members of societies can work together to create new social structures, new social paradigms, in effect, to create social change.

As I sat behind that wagon I pondered the fact that from small groups of people meaningful social change has emerged.  Often relatively under-resourced and without apparent political power or social consequence, these groups pursue making their vision a reality and somehow make social change happen in our complex society.  “Social change” is popularly defined and understood to be the shifts in social structures, relations, and institutions, which result from social movements or radical events.  The academic literature defines social change similarly and Coleman writes of social change occurring as “social reality changes, through the invention of new forms of organization and the development of new processes.”  Notably, the altered social structure and relations that have resulted from innovative ideas ranging from America’s foundling democracy to women’s rights to the conservation movement have consistently been instigated by small groups of committed people.

Of course, these small groups are not isolated and entirely without resources; they operate in a web of relationships. They are networked.  And they are founded and led by intrepid entrepreneurs, individuals who pursue these opportunities to create change despite a lack of resources.  Instead of pursuing financial gain, these social entrepreneurs pursue social change.  These social entrepreneurs, while aiming for different outcomes than for-profit entrepreneurs, can be defined similarly to leaders of foundling for-profit ventures who similarly control few resources and strive to achieve outcomes despite this resource paucity (Byers, 2010; Shaw & Carter, 2007).

I wondered if they achieve their outcomes through communicating with established organizations and individuals who share their values and goals.  I wondered if instigators of start-up social change organizations intentionally use their social networks as complements to the resources they control.  Do they value networks, do they intentionally exchange and aggregate resources through networking?  Do they build their credibility and visibility, pursue financial resources, and discover new knowledge or opportunities in their field through social networking activities?  Do they plan for, aim for, and pursue outcomes through networking activities?  I scribbled down a question that had begun to form in my mind: “How do social change entrepreneurs perceive and utilize their social networks to achieve goals?”

The car behind me honked.  The light had turned green.

(Come back next week for the next installment…)

Northern New Mexico’s Cultural Corridor

ABOVE: Attendees at the Cultural Corridor Planning Meeting

In February GCCE gathered leaders of Santa Fe, Taos, and Albuquerque to plan implementation of the Northern New Mexico Cultural Corridor.

Tourism is a critical economic driver for states. In New Mexico, tourism-related spending annually contributes $5.5B to the economy, including $770million in tax receipts.  Yet, our market share in the regional and national markets continues to fall.  GCCE is leading an effort to work collaboratively to build a vibrant regional brand that will penetrate this competitive marketplace, bring more travelers to our region, and strengthen the businesses and communities of northern New Mexico.

For more on our Cultural Corridor strategy, visit our website.

The Creative Economy Fits Our Future

PHOTO CREDIT: Larry Lamsa

A couple of weeks ago, as I drove up through the Española Valley and across the Rio Grande I reflected on my good fortune to be living in New Mexico.  In the distance the Jemez Mountains sparkled with new snow, in the foreground low-lying adobe buildings puffed out sweet smelling piñon smoke.  I was on my way to Ohkay Owingeh Pueblo to take a cooking class with Norma Naranjo, owner of The Feasting Place (www.thefeastingplace.com).  Norma and her husband, Hutch, live and farm on the Pueblo and offer classes on traditional Pueblo cooking.  They have two enormous dome-shaped ovens, hornos, in their backyard, hand-built with river rocks and mud plaster by Hutch and his family.  Inside, around an enormous dining table, Norma teaches guests how to knead bread by hand, molding it into perfect rounded balls that expand and become golden brown in the hornos.  If you take a cooking class with Norma you are guaranteed an experience unlike any other you’ll find in the Southwest.

I moved to New Mexico over a decade ago for three reasons: the rich cultural heritage, the awe-inspiring landscapes, and the green chile.  A day with Norma brings all three of those beloved experiences together.  New Mexico is distinct from any other place–we’d like to keep it that way.  Fortunately, our uniqueness may prove a key economic advantage in the next economy: the creative economy.

ARTWORK: AVA PEETS.  Ms. Peets lives and works in Grants, New Mexico.

 The creative and cultural economy is emerging at the intersection of human creativity, knowledge and technological innovation.  People working in the creative/cultural economy include artists, designers, chefs, filmmakers, publishers, artisan farmers, architects, craftspeople, and performers.  The creative economy places a premium on sustaining natural environs and enhancing diversity; it thrives where unique communities embrace their culture and traditions and apply these to markets, when appropriate.

Here in New Mexico the creative economy is emerging as a force for building thriving communities.  Our goal at the Global Center for Cultural Entrepreneurship (GCCE) is to strengthen New Mexico’s ability to successfully participate in the creative economy.  Using Census and NAICS data, we have learned that 12% of New Mexicans already work in the creative/cultural economy (see the report on our website www.culturalentrepreneur.org).  It is a cornerstone of our economic foundation.  New Mexico is uniquely positioned to leapfrog into the burgeoning creative/cultural economy, building economic opportunities for families and fostering local culture and traditions.

Planning for Success (Or, Leveraging Others’?)

Finding the right community development partners can be difficult for non-profit organizations. Sometimes, because resources are scarce, non-profit leaders compete with one another when they should collaborate.  Fortunately, as we launched the Spanish language components of our Small Business Success Series, I could turn to people with whom I had worked successfully over the past decade: Sara Nelson, Founder of La Comunidad Habla, and Andrea Plaza, Founder of Encuentro.  Both these women are bold, visionary, and willing to partner to get their programs built and accomplish their goals.
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Unchartered Territories: Fast Forward New Mexico’s Small Business Success Training

America didn’t invent entrepreneurship – but we sure do love it here.  Even President Obama is getting on the entrepreneurship bandwagon, announcing new programs to spur technology innovation that will lead to new companies being formed and hopefully, more jobs.
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UNESCO World Forum on Culture a Success

The first UNESCO World Forum on Culture and Cultural Industries which was attended by representatives from 50 nations with a great success.  Officials of the Italian and regional government of Lombardy, where Monza is located, created a magnificent event.  Denise Bax of UNESCO played a key role in the success of the Forum.  The Forum was held in the Ville Real, a beautifully restored 18th century palace which was the perfect setting for a gathering around culture and creativity.

The UNESCO Director-General, Mr. Matsuura, opened the World Forum on Culture and Cultural Industries with insightful comments on how globalization can also work in the favor of cultural enterprises.  The Italian Minister of Culture, Mr. Bondi, gave a stirring speech about the importance of culture in Italy.  He pointed out that Italy has over 80,000 cultural enterprises.  Clearly the Europeans understand that culture plays a huge role in economic development.  Most countries have a Minister of Culture, and important budgets to support their activities.  We do not have such a cabinet position for the USA except in New Mexico where we have a Cabinet Secretary for Cultural Affairs. Continue reading

UNESCO World Forum on Culture Memorable Moments

There were many memorable moments at the UNESCO World Forum on Culture and Cultural Industries.  It is clear that cities and regions are focusing on cultural clusters which means they are gathering cultural enterprises into close proximity to each other to promote synergy between them.  From Milan to Zenchen City outside of Hong Kong, cities and regions are very dedicated to supporting specific cultural clusters.  It seems the current thinking is that the best investment of public funds is in the culture clustural approach, which allows for innovation to flourish, synergy can occur and networks are created.  It is a strategy for of us involved in building cultural clusters to consider.

The Fundacion Prada and the Hermes Foundation were present.  The foundations are supported by luxury goods companies who to this day employ highly skilled artisans.  What is significant to me is that both of these foundations promote culture and cultural industries.

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Cultural Entrepreneur: A New Definition

What is a cultural entrepreneur?

New fields of development begin with ideas and then need the practical applied.  With the practical comes the need for definitions.  Over the last couple of years my definition for a cultural entrepreneur has evolved and I would like to share it with you now.

Cultural Entrepreneurs are cultural change agents and resourceful visionaries who organize cultural, financial, social and human capital, to generate revenue from a cultural activity.  Their innovative solutions result in economically sustainable cultural enterprises that enhance livelihoods and create cultural value and wealth for both creative producers and consumers of cultural services and products.
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The Creative Force

Photo Courtesy of Denise Avila

Last week Thomas Friedman came out with another great opinion piece, “The New Untouchables” in which he argues that the “huge ethical breakdown on Wall Street, coincided with an education breakdown on Main Street” and that our middle-class workers are rapidly losing their ability to out-compete middle wage workers in foreign nations.  He suggests that The New Untouchables are those who, “have the ability to imagine new services, new opportunities and new ways to recruit work”, those with a creative and entrepreneurial mindset, in other words.  Furthermore, he makes the point that,

“Those who are waiting for this recession to end so someone can again hand them work could have a long wait.”

The days of work being handed out to those who happen to be standing nearby are over.  Instead we are tasked with using our ingenuity and entrepreneurial spirit to seek out new market opportunities and leverage our creative talents into new ventures.  And this call to join the Creative Force is being answered loud and clear by cultural entrepreneurs.

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Montana, A Cultural Hub Indeed

Painting “First Light” by Ron Ukrainetz

At GCCE our core tenets are:

We believe talented entrepreneurs drive wealth creation;
     Therefore, we are entrepreneur focused.
We believe cultural entrepreneurs have unique opportunities and needs;
     Therefore we are experts in building cultural enterprises.
We believe markets drive profit opportunities;
     Therefore we build toward growing cultural markets.
We believe enterprise networks increase innovation and speed to market;
     Therefore, we build clusters of cultural enterprises.

But, today in Bozeman, Montana, while giving a short presentation to a group at TechRanch, I realized one tenet was missing.  Therefore, I am going to add this:

We believe all communities are culturally rich;

Therefore, all communities can thrive in the Creative Age…even communities whose economies have historically not been based on human capital, like the communities of Montana I am visiting this week.

Bozeman, Montana- the land of glacially carved valleys, towering granite peaks, and wild trout-filled rivers. 

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